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J.S. Bach

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

Fantasia and Fugue in C Minor, BWV 537 By Johann Sebastian Bach

Samuel Ricke

7:13	Est. Play Time
179	Measures
	1,237Kb

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

Passacaglia & Fugue in C Minor

Fugue Troll

7:19	Est. Play Time
293	Measures
	4,544Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	28	0	11	10	97%
	26	0	8	10	81%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	28	11	10	97%
	26	8	10	81%
B Tuba	22	10	6	71%
Trombone	31	15	8	67%
Horn	22	10	7	48%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	0	6	3	100%
Contrabass	21	0	6	3	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	6	3	100%
Contrabass	21	6	3	100%
Oboe	22	7	6	98%
	17	4	6	95%
Strings I	22	7	6	98%
Violin I, Oboe I	22	7	6	98%
Viola	20	6	4	95%
Violin II, Oboe II	17	4	6	95%
Bass	17	5	9	68%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

J.S. Bach Organ: Toccata and Fugue in D Minor "The Dorian", BWV 538

Samuel Ricke

15:12	Est. Play Time
321	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	26	2	9	8	94%
	23	2	6	8	61%
	39	1	13	8	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	26	2	9	8	94%
	23	2	6	8	61%
	39	1	13	8	93%

J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu

Samuel Ricke

9:32	Est. Play Time
116	Measures
	1,385Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
Bassoon	22	0	9	5	100%
Organo e Continuo.	22	0	9	5	100%
Violone	22	0	9	5	100%
Flauto traverso I.	21	0	12	5	86%
Flauto traverso II.	22	0	11	5	86%
Alto.	19	0	11	7	67%

Toccata and Fugue in D Minor, BWV 565, By Johann Sebastian Bach

Samuel Ricke

1:20:18	Est. Play Time
143	Measures
	3,228Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	32	31	11	11	91%
	37	8	13	11	89%
	21	1	8	8	45%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	32	31	11	11	91%
	37	8	13	11	89%
	21	1	8	8	45%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
Continuo.	29	0	10	6	100%
Viola I.	18	0	7	7	98%
Viola II.	17	0	6	7	98%
Violino I.	23	0	9	6	98%
Violino II.	20	0	6	7	98%
Violone.	28	0	9	6	97%
Alto.	18	0	7	7	96%
Trombone I.	18	0	7	7	96%
Tenore.	17	0	6	7	95%
Trombone II.	17	0	6	7	95%
Basso.	23	0	9	6	90%
Trombone III.	23	0	9	6	89%
Cornetto.	16	0	6	6	65%
Soprano.	16	0	6	5	65%

Contrapunctus XVI

Shoichi

2:34	Est. Play Time
72	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

J.S. Bach: Mass in B Minor, BWV 232: II. Christe eleison

Samuel Ricke

4:51	Est. Play Time
85	Measures
	1,259Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	0	10	5	100%
Violino I.II.	27	0	10	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	10	5	100%
Violino I.II.	27	10	3	100%
Violone.	25	10	5	100%
Soprano II.	17	5	8	65%
Soprano I.	16	5	7	64%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
Continuo.	25	0	9	4	100%
Fagotti.	25	0	9	4	100%
Violone.	25	0	9	4	100%
Alto.	22	0	10	5	90%
Soprano II.	20	0	7	5	88%
Tenore.	20	0	9	5	87%
Soprano I.	21	0	8	5	87%
Basso.	21	0	8	6	75%
Flauto traverso I.	18	0	1	3	35%
Flauto traverso II.	17	0	3	3	34%
Oboe I.	17	0	2	4	32%
Viola.	19	0	4	3	32%
Oboe II.	13	0	1	3	31%
Violino II.	16	0	1	3	31%
Violino I.	19	0	2	4	31%
Tromba I.	12	0	1	5	24%
Timpani.	3	0	0	3	24%
Tromba II.	10	0	1	5	21%
Tromba III.	6	0	0	4	20%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: III. Allegro

Samuel Ricke

11:54	Est. Play Time
124	Measures
	4,295Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	22	46	7	5	100%
	26	0	9	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	22	46	7	5	100%
	26	0	9	5	100%
Violoncello.	26	0	9	5	100%
Violone.	26	0	9	5	100%
Violino piccolo.	25	3	8	6	83%
Violino I.	25	0	7	6	82%
Violino II.	22	0	7	6	78%
Oboe I.	23	0	7	6	78%
Viola.	22	0	5	4	78%
Oboe II.	18	0	5	5	74%
Oboe III.	14	0	3	4	74%
Fagotto.	22	0	6	3	73%
Corno I.	11	0	1	6	59%
Corno II.	10	0	2	5	52%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	0	11	3	96%
Flauto traverso I.	20	0	4	6	92%
View all 17 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	11	3	96%
Flauto traverso I.	20	4	6	92%
Flauto traverso II.	18	3	5	92%
Oboe I.	17	3	6	92%
Oboe II.	15	4	6	92%
Viola.	18	4	3	92%
Violino I.	23	5	3	90%
Violino II.	20	5	4	90%
Tromba in D.	12	1	6	80%
	11	1	3	64%
	13	1	5	64%
Timpani in D.A.	2	0	3	61%
Soprano I.	13	3	5	48%
Soprano II.	14	2	7	47%
Alto.	15	4	5	46%
Tenore.	12	2	5	44%
Basso.	17	3	4	41%

Little Fugue in G minor

DavidCho 1892

3:12	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano Saxophone	25	0	8	8	100%
Tenor Saxophone	22	0	7	8	74%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano Saxophone	25	8	8	100%
Tenor Saxophone	22	7	8	74%
Alto Saxophone	23	7	8	71%
Baritone Saxophone	22	6	6	50%